|
Screenings:
Friday April 28, 11:00 PM, Charles 1
Sunday, April 30, 4:00 PM, Charles 5
Punk's
influence can still be felt today in every corner of art and popular
culture: music, fashion, design. As incredibly ridiculous as this
may sound, especially after watching this movie, I can honestly
say that, growing up in the fervent D.C. scene of the early '80s,
punk rock changed my life. I remember seeing this The Great Rock
'n' Roll Swindle on video, a copy of a copy of a copy, in someone's
basement. The film was never really released in the U.S., and was
caught up in court battles for years-so to even have a bad bootlegged
copy was something quite special. It felt like we were watching
something we were never meant to see. And it still does. To see
it on the big screen is a rare opportunity not to be missed.
Whether the
Sex Pistols were simply a sophisticated hype run amok or
the true voice of their generation has been widely debated, and
is the central theme of not one but two films about The Sex Pistols
by director Julien Temple. There's always been two sides of the
Sex Pistols story-the Malcolm Mclaren view and the Johnny
Rotten view. In Mclaren's version, the Sex Pistols were really his
brainchild, a brilliant and intricate marketing and promotion scheme
geared towards making a boat-load of cash from a band who couldn't
be seen nor heard. In the film, Mclaren talks about his need to
hide the fact that the band didn't know how to play. It is true
that original bass player Glen Matlock was replaced with Sid, despite
the fact that Sid knew nothing about the bass. In Johnny Rotten's
version, Malcolm had no control over the band, they themselves are
the true genius' behind the Pistols' notorious legacy. The truth
(like most truths) probably lies somewhere between. The Great
Rock 'n' Roll Swindle is the Mclaren side of the argument.
Its rambling
plot bears testimony to its tumultuous production history. Despite
its random, haphazard script (hey, it's punk rock after all), the
film trundles along at a cheerful pace, and is bolstered by the
incredible live footage of the band at the peak of it's power, and
sadly, at their lowest point of their short-lived career. Indeed
one of the most fascinating portions of the film is footage of the
last Pistols show ever (their 1996 "reunion" fiasco not withstanding)
in San Francisco. The look on Johnny Rotten's face is unforgettable-as
he realizes that it's the end, he utters the now famous line "Ever
feel like you've been cheated?" The archtypal, iconic "My Way"
segment, performed by Sid Viscious, has to be seen to be believed.
Punk's influence
can still be felt today in every corner of art and popular culture:
music, fashion, design. As incredibly ridiculous as this may sound,
especially after watching this movie, I can honestly say that, growing
up in the fervent D.C. scene of the early '80s, punk rock changed
my life. I remember seeing this The Great Rock 'n' Roll Swindle
on video, a copy of a copy of a copy, in someone's basement. The
film was never really released in the U.S., and was caught up in
court battles for years-so to even have a bad bootlegged copy was
something quite special. It felt like we were watching something
we were never meant to see. And it still does. To see it on the
big screen is a rare opportunity not to be missed.
Despite some
of its historical inaccuracies The Great Rock 'n' Roll Swindle is
an important document of the punk scene in London in 1978. As you
enjoy this extremely rare print of the original punk rock classic,
please refrain from gobbing at the screen, pogoing in the isles,
and joining in the naked calesthenics performed by Paul Cook and
Steve Jones on a South American beach with an exiled nazi-Jon Jolles.
Tidbit:
Over the three years it took to produce The Great Rock 'n' Roll
Swindle, the director was replaced (Russ Meyer was originally
to direct!), the financial backers dropped out more than once, the
band formally split up, the film was renamed (its original title
was Who Killed Bambi?), and Sid Vicious committed suicide
after (allegedly) killing his girlfriend, Nancy.
Bio:
Nationally renowned music critic J.D. Considine writes for the Baltimore
Sun. His reviews and articles have appeared in countless publications
including Rolling Stone, Spin, Musician, and
The Los Angeles Times. J.D. recently interviewed Johnny Rotten
for a feature article.
|